edit office is music promotion made of edits. We pick editors whose work fits your track, they cut edits with it and post them on their own accounts, and we organise the work around your release.
The point is an edit built around the track, not a song laid under footage that happened to be there.
What we take off your desk is the choosing, the briefing and the chasing.
You bring a track and the context around it. What the release is, who it is meant to reach, anything you want the edits to carry or avoid.
We choose editors from the network whose style and audience suit it, brief them properly, and coordinate the work.
They make the edits and post them to the people who already follow them.
Pieces these editors made for their own accounts and their own audiences. They show how each of them cuts. They are not reports from an edit office campaign.
No.
Clipping usually starts with volume: put a sound in front of a large pool of people and see what travels.
edit office starts with selection. A campaign stays private and goes to editors we think actually belong around the release.
Reach matters. So does what the artist looks like while getting it.
On the editors' own accounts.
In front of audiences they have already built. TikTok, Instagram Reels and YouTube Shorts.
The track, a release date if there is one, and enough context to brief someone properly.
Anything you would rather the edits stay away from is worth saying early.
In the conversation before anything is made.
There is no price list on this page because the right size depends on the release, and we would rather quote something real than publish a package.
A person reads it and writes back.
If it looks like a fit we come back with editors and a proposal. If it does not, we will say so.
Send the track and a line about the release. No account, no form to fill in first. We will tell you honestly whether we think the editors here fit it.
Editors: the community is open to anyone. The paid campaign work is picked by hand, and you apply for that separately.
